THE WEIGHT OF WHITE MITTENS
01 / Shopping with mittens
To be human is to navigate an invisible grid of social algorithms. Scripts, cues, and unspoken rules that we are expected to execute smoothly. But for some of us— particularly those navigating a neurodivergent reality—the interface of the everyday world does not fit the tools we have been given. We are left feeling permanently out of sync, trying desperately to blend into a landscape that treats our natural state as a glitch.
These mittens are a physical representation of social anxiety, neurodivergence, permanent estrangement from the world around. They are a metaphor for the agonizing clumsiness of trying to be human. The mask—molded from cold, white plastic—is a literalized interface for masking. Inside its rigid frame, a stretch sensor sits against the jaw. It strips away the human voice entirely, replacing it with a flat, robotic speaker that can only deploy empty, pre-programmed pleasantries: “No worries at all.” “Everything is fine.”
02 / Cooking dinner with mittens
In these videos, I film myself attempting standard, everyday routines: riding the public tram, shopping for groceries, prepping a meal in the kitchen, and typing on my laptop. I am trying to blend in and complete these tasks normally. However, the thick, fingerless mittens turn these simple movements into frustrating obstacles. My hands become blunt instruments, lacking the precision needed to easily interact with the world around them.
The clinical, stark white aesthetic of the costume strips away the warmth of the environment, highlighting the exhausting, computational energy it takes to “mask”—manually managing your expressions and behavior just to navigate life.
filmstills
presentation
Collectives IMD (10/6/2026,KABK)
Collectives IMD (10/6/2026, KABK)
performance, (5/6/2026, KABK)
CREDITS & DETAILS
- Concept, Electronics, Performance, Editing Sterre Pakkert
- Filming Krishna Sudesh